‘Sarpatta Parambarai’ movie review: Packs a punch, but follows a predictable path

There’s an inherent problem with the arc of sports-based films: its predictable nature. The protagonist shows a keen interest in a sport, but the road to success is filled with thorns. He/she overcomes all that with difficulty, and emerges victorious. This very staple formula is what most sporting dramas are constructed with.

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Pa. Ranjith’s latest Tamil offering, Sarpatta Parambarai, is not too different. It has a protagonist (Kabilan, played by Arya) wanting to do well in boxing, but has several roadblocks. It’s Ranjith’s trademark flourishes that make this otherwise lengthy film worthwhile.

Unlike Farhan Akthar’s recent Hindi boxing drama Toofan, which lay emphasis primarily on the challenges in front of the protagonist, Ranjith designs Sarpatta… about the lifestyle of the people. It focusses on North Madras, the epicentre of boxing in the city that was home to two warring boxing clans: Sarpatta and Idiyappa. This cultural history comes alive in the film, with the set design and clothing patterns taking you back to the ‘70s. Even the political landscape of the country plays a role; the way it has been incorporated into the script makes for interesting viewing.

The first half packs a punch, but the film withers in the second when the protagonist undergoes a transformation. Suddenly, the editing and sequences look all over the place. A supposedly important character is introduced quite late, before Ranjith designs a last-ball finish style to end proceedings.

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The film might open and end with Arya’s Kabilan, but there are several memorable characters that you meet along the way: John Vijay as Daddy (watch out for the scene with Arya in which he says, “You’ve found your path, bugger”) and Shabeer Kallarakkal as Dancing Rose (his fight with Kabilan is the best of all the bouts in the film) are two that stand out. There are other neat performances by Pasupathy and Kalaiarasan, but one wishes that John Kokken’s Vembuli character had as much meat as his muscles.

Arya and Pasupathy in a still from the film